SUITCASE FUSION 5 ANTI ALIASING DOWNLOAD
SUITCASE FUSION 5 ANTI ALIASING WINDOWS

Find the apex of a curved motion or the place where the hand is most open.

Find the places where a particular piece of him changes direction, or starts or stops moving.

By splitting the subject into piece like this (articulating it), you can let the computer do more of the work interpolating between extremes. The lower legs, the thighs, the torso, the upper arms, the lower arms, the hands, the head, and the suitcase are each much simpler shapes that could be more easily managed. Determine which parts of him travel together and are unlikely to change shape much. Instead, try to analyze the actor's body and accessories. Many beginning rotoscopers start by trying to draw a single spline around an actor, as shown in the image to the right.ДЄs soon as you start playing through the sequence, though, you'll quickly realize how much work it will be to manage that shape. As someone turns around, their silhouette can change completely.

SUITCASE FUSION 5 ANTI ALIASING DOWNLOAD

Download the footage here: 004-mattes_plate.zip (95.8 MB)ДЄ human being is a very complex shape, with many moving parts that deform and can move independently. It's easy to completely change the action of a shot with that kind of misunderstanding), then we'll key the man on camera left. To start, we'll rotoscope the man on camera right (we specify camera, screen or stage right in order to make it clear that we don't mean the actor's right. I can't for the life of me remember either of these two gentlemen's names, but I do remember that they were a delight to work with. Hopefully there's also a refractions pass that can be used to separate the glass.) RotoscopingДЇor this lesson, I have prepared a short greenscreen clip from another of my student projects.

SUITCASE FUSION 5 ANTI ALIASING WINDOWS

This image shows a so-called 'clown pass,' in which each piece of the Camaro is assigned a different flat color, allowing the compositor to easily affect one piece of the car without touching the others (although making the hood stripes and the windows both yellow was a bad move. You might also receive mattes rendered from the CG department. In the previous lesson, we could have used a keying operation to make a matteВ for the orange gun barrel and possibly skipped the tracking step entirely. Although the most obvious use for keying is isolating actors on a green or blue screen stage, it can also be used on any object that is of a different color than whatever surrounds it. Keying uses the color values in the image to try to separate the subject from the background. As such, it's an important skill to learn to do well and quickly if you want to show your worth to a visual effects studio. It is a time-consuming job that is frequently assigned to junior compositors or dedicated roto artists in order to save the mid- and senior-level artists (and their higher salaries) for more demanding tasks. RotoscopingВ (roto, for short) uses splines, like the Polygon tool we used in the Basics lesson, to create outlines around a subject. You might also run across reference to an articulatedВ matte or roto, which means a matte made up of several pieces that can move independently to cover something complex, like a person.

You might hear the term traveling matte, which simply means the matte image moves to follow whatever object in the scene it is meant to isolate. A matte is a single-channel image that is used to isolate a part of an image, either to prevent it from being changed or to restrict changes to only that area. Let's first talk about what exactly a matte is and a few methods that can be used to generate them.ДЇirst, the words matte and mask are used mostly interchangeably, although matte is not often used as a verb. It is a rare shot that does not require a matte of some kind. The creation of mattesВ from moving footage is a crucial, though sometimes tedious, part of making visual effects.

Suitcase fusion 5 anti aliasing